March 1, 2024
Big Book Idea
God's design for relationships is always best.
Many waters cannot quench love,
neither can floods drown it.
If a man offered for love
all the wealth of his house,
he would be utterly despised.
1
Oh that you were like a brother to me
who nursed at my mother's breasts!
If I found you outside, I would kiss you,
and none would despise me.
2
I would lead you and bring you
into the house of my mother—
she who used to teach me.
I would give you spiced wine to drink,
the juice of my pomegranate.
3
His left hand is under my head,
and his right hand embraces me!
4
I adjure you, O daughters of Jerusalem,
that you not stir up or awaken love
until it pleases.
5
Who is that coming up from the wilderness,
leaning on her beloved?
Under the apple tree I awakened you.
There your mother was in labor with you;
there she who bore you was in labor.
6
Set me as a seal upon your heart,
as a seal upon your arm,
for love is strong as death,
jealousy
1
8:6
Or ardor
is fierce as the grave.
2
8:6
Hebrew as Sheol
Its flashes are flashes of fire,
the very flame of the LORD.
7
Many waters cannot quench love,
neither can floods drown it.
If a man offered for love
all the wealth of his house,
he
3
8:7
Or it
would be utterly despised.
8
We have a little sister,
and she has no breasts.
What shall we do for our sister
on the day when she is spoken for?
9
If she is a wall,
we will build on her a battlement of silver,
but if she is a door,
we will enclose her with boards of cedar.
10
I was a wall,
and my breasts were like towers;
then I was in his eyes
as one who finds
4
8:10
Or brings out
peace.
11
Solomon had a vineyard at Baal-hamon;
he let out the vineyard to keepers;
each one was to bring for its fruit a thousand pieces of silver.
12
My vineyard, my very own, is before me;
you, O Solomon, may have the thousand,
and the keepers of the fruit two hundred.
13
O you who dwell in the gardens,
with companions listening for your voice;
let me hear it.
14
Make haste, my beloved,
and be like a gazelle
or a young stag
on the mountains of spices.
The wording of the first verse in Song of Solomon (or Song of Songs; 1:1) does not necessarily mean that Solomon wrote the book. It may have been written by Solomon himself, or it could have been written in his honor. When he is mentioned (1:5; 3:7, 9, 11; 8:11–12), it is generally as a distant, even idealized figure. What is known about Solomon suggests that he probably was not the writer himself (1 Kings 3:1; 11:1–8). However, the book was probably composed during Solomon’s time, perhaps under his oversight, between c. 960 and 931 B.C.
The Song of Solomon contains beautiful poetry expressing romantic love between a young man and a young woman in ancient Israel. He is a shepherd (1:7) and she is a shepherdess (1:8). They are looking forward to their marriage and the pleasure it will bring.
The Song of Solomon includes several extravagant comparisons. For example, the woman is compared to a horse in Pharaoh’s court (1:9), and her hair is compared to a flock of goats (4:1). It is helpful to remember that (1) the comparisons are figurative rather than literal, and (2) what the person has in common with what he or she is compared with is a certain quality, usually the quality of excellence, or of being the best of its kind.
The author has presented the Song of Solomon as a series of exchanges, mostly between the shepherdess and the shepherd, with the chorus-like “others” sprinkled in. These others usually pick up items from the lovers’ speeches and urge the two forward in love. There is also a refrain, “I adjure you, O daughters of Jerusalem, . . . that you not stir up or awaken love until it pleases” (2:7; 3:5; 8:4; variation in 5:8), spoken by the shepherdess. This is understood as her urging the other women not to push this love too fast, in order to let it reach its consummation at the right time (the marriage bed, which seems to begin in 8:5).
David’s Song of Deliverance is nearly identical to Psalm 18. Perhaps 2 Samuel 22 was meant to be read aloud for instruction and Psalm 18 was meant to be sung or prayed as part of worship.
Vineyards, fields, and palm trees. The Song of Solomon takes place in a rural setting, and the lovers describe each other using images drawn from this context. The man is a shepherd, and the woman works in her family’s vineyard.
Kissing was a cultural means of showing respect, friendship, or reverence, as it is in many places today. A kiss was often given as a form of greeting or farewell (19:39). There are only three places in all of Scripture where kissing is connected with romance (Prov. 7:13, Song 1:2; 8:1.).
The woman addresses the daughters of Jerusalem four times throughout this book, creating a refrain that ties her “songs” together (2:7; 3:5; 5:8; 8:4). She urges them not to “stir up or awaken love until it pleases.” In other words, they should wait until the appropriate time to enjoy romantic love.
Song. 8:1 This verse seems to indicate that, in Israelite culture, romantic kisses were reserved for private situations, while a kiss of family affection was considered appropriate in public. Thus, the woman wishes that her lover were a brother.
Kissing was a cultural means of showing respect, friendship, or reverence, as it is in many places today. A kiss was often given as a form of greeting or farewell (19:39). There are only three places in all of Scripture where kissing is connected with romance (Prov. 7:13, Song 1:2; 8:1.).
Song. 6:4–8:4 The Lovers Yearn for Each Other Again. The dream of 3:1–6:3 is over. The man and woman now offer words of praise to each other.
Song. 8:4 Here is the final instance of urging the daughters of Jerusalem not to stir up or awaken love until the appropriate time (compare 2:7; 3:5). The period of waiting is almost over.
The woman addresses the daughters of Jerusalem four times throughout this book, creating a refrain that ties her “songs” together (2:7; 3:5; 5:8; 8:4). She urges them not to “stir up or awaken love until it pleases.” In other words, they should wait until the appropriate time to enjoy romantic love.
Song. 8:5 The Hebrew word for leaning implies that the man and woman are now married. In 2:3 the apple tree was a place of love; here it is the place of childbirth, which is what romantic love ideally leads to. I awakened you indicates that the woman sexually awakens the man as they consummate their marriage.
Song. 8:6 Love, like death, is persistent, always accomplishing its goal. flame of the LORD. This is the only mention of the divine name in the entire Song of Solomon, but it is fitting in a book of covenant wisdom. Both love and the jealous desire to protect one’s marriage are gifts from the Lord.
Song. 8:5–14 The Lovers Join in Marriage. The pair have gone from yearning to be joined together, to actually being married and consummating their union. The tension of the previous chapters—the anxious waiting, the concern for propriety—gives way to relaxed enjoyment.
Song. 8:14 For gazelle and young stag, see 2:7, 17. Mountains of spices refers to the woman (see 4:6). The Song of Solomon closes with the man and woman delighting themselves with their enjoyment of each other.
The wording of the first verse in Song of Solomon (or Song of Songs; 1:1) does not necessarily mean that Solomon wrote the book. It may have been written by Solomon himself, or it could have been written in his honor. When he is mentioned (1:5; 3:7, 9, 11; 8:11–12), it is generally as a distant, even idealized figure. What is known about Solomon suggests that he probably was not the writer himself (1 Kings 3:1; 11:1–8). However, the book was probably composed during Solomon’s time, perhaps under his oversight, between c. 960 and 931 B.C.
The Song of Solomon contains beautiful poetry expressing romantic love between a young man and a young woman in ancient Israel. He is a shepherd (1:7) and she is a shepherdess (1:8). They are looking forward to their marriage and the pleasure it will bring.
The Song of Solomon includes several extravagant comparisons. For example, the woman is compared to a horse in Pharaoh’s court (1:9), and her hair is compared to a flock of goats (4:1). It is helpful to remember that (1) the comparisons are figurative rather than literal, and (2) what the person has in common with what he or she is compared with is a certain quality, usually the quality of excellence, or of being the best of its kind.
The author has presented the Song of Solomon as a series of exchanges, mostly between the shepherdess and the shepherd, with the chorus-like “others” sprinkled in. These others usually pick up items from the lovers’ speeches and urge the two forward in love. There is also a refrain, “I adjure you, O daughters of Jerusalem, . . . that you not stir up or awaken love until it pleases” (2:7; 3:5; 8:4; variation in 5:8), spoken by the shepherdess. This is understood as her urging the other women not to push this love too fast, in order to let it reach its consummation at the right time (the marriage bed, which seems to begin in 8:5).
David’s Song of Deliverance is nearly identical to Psalm 18. Perhaps 2 Samuel 22 was meant to be read aloud for instruction and Psalm 18 was meant to be sung or prayed as part of worship.
Vineyards, fields, and palm trees. The Song of Solomon takes place in a rural setting, and the lovers describe each other using images drawn from this context. The man is a shepherd, and the woman works in her family’s vineyard.
Despite facing conflicts and insecurities, the couple's love and passion endure, demonstrating the strength of their bond. The Shulammite is still excited about seeing her husband, so much so that she wants to be able to show affection openly in public. She wishes he was like her brother because it was culturally acceptable to display affection to family members in public. She also cherishes the intimate and tender moments they share in private. They continue to invest time in nurturing their love and deepening their intimacy.
Song of Solomon 8:6-7 vividly portrays love as "the very flame of the Lord," an unstoppable force that no waters can quench or floods drown. This divine love finds its source in God Himself, as stated in 1 John 4:7-8. The intensity of human love serves as a testament to an even greater love, the love of God for us.
I grew up in a troubled family; and as a result, I thought love was conditional, based on being good enough or performing to gain acceptance. How wonderful that God's love for me remains steadfast even when I make mistakes or fail to live up to societal standards. His love for us knows no bounds; it is vast, indestructible, and eternal (Romans 8:38-39). Out of the abundance of God's love for me and His work in me, I can love others (1 Thessalonians 3:11-13). God has saved me from my old life of fear, insecurities, and darkness; and in response to His grace, I want to love others and "be imitators of God . . . . And walk in love, as Christ loved us and gave Himself up for us . . . ." (Ephesians 5:1-2).
God has designed marriage to last. He doesn't want us to give up on marriage when things get tough or when we think our spouse has become boring and dull. The metaphor of "floods" representing overwhelming challenges emphasizes that true love endures even in the face of life's toughest trials. When we follow God's way and allow Him to work through us, the "floods" that a couple experiences will bring them even closer together.
This month's memory verse
but God shows his love for us in that while we were still sinners, Christ died for us.
1. After going through the insecurities, trials, and forgiveness experienced in marriage, the couple reaches a point where they can delve even deeper into the joys of romance and marriage. How can couples nurture and sustain romance and passion in their marriage over time? Why doesn't it just happen naturally?
2. We see in the Song of Solomon that marriage takes place in a larger social context. Family, friends, and society at large play a role in this book. How has your study of the Song of Solomon influenced your understanding of the importance of the wider community in choosing a spouse?
3. The Song of Solomon reveals that love is "the very flame of the LORD" (Song of Solomon 8:6) and "[m]any waters cannot quench love" (Song of Solomon 8:7). How have you grown in your understanding of human love through your study of the Song of Solomon? How does this differ from what you see in culture?
4. How can single people trust God to bring a potential spouse into their lives and develop their relationships? Can single people who desire to be married take a passive approach in finding a spouse?
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Michael Scaman
greg jones
Michael Sisson
Sue Bohlin
Amy Lowther