November 28, 2024
Big Book Idea
Thinking and feeling God's way.
Let the high praises of God be in their throats
and two-edged swords in their hands.
1
Praise the LORD!
Sing to the LORD a new song,
his praise in the assembly of the godly!
2
Let Israel be glad in his Maker;
let the children of Zion rejoice in their King!
3
Let them praise his name with dancing,
making melody to him with tambourine and lyre!
4
For the LORD takes pleasure in his people;
he adorns the humble with salvation.
5
Let the godly exult in glory;
let them sing for joy on their beds.
6
Let the high praises of God be in their throats
and two-edged swords in their hands,
7
to execute vengeance on the nations
and punishments on the peoples,
8
to bind their kings with chains
and their nobles with fetters of iron,
9
to execute on them the judgment written!
This is honor for all his godly ones.
Praise the LORD!
Individual psalms come from diverse periods of Israel’s history, but at every stage they served as the songbook of God’s people. David wrote about half of the Psalms. His role as king was more than that of a ruler. He was to represent and even embody the people, and their well-being was tied to his faithfulness. David, then, writes as a representative, and the readers must discern whether the emphasis of a psalm is more on his role as ruler or more on his role as ideal Israelite, in which he is an example for all. The historical occasions mentioned in the psalm titles help the reader see how faith applies to real-life situations.
The Psalter is fundamentally the hymnbook of God’s people. It takes the basic themes of OT theology and turns them into song:
The Psalms can be identified according to some basic categories:
Laments, which lay a troubled situation before the Lord, asking him for help. There are community (Psalm 12) and individual (Psalm 13) laments. This category is the largest by far, including up to a third of all Psalms.
Hymns of praise, which call God’s people to admire his great attributes and deeds. Examples include Psalms 8; 93; and 145.
Hymns of thanksgiving. As with laments, there are community (Psalm 9) and individual (Psalm 30) thanksgiving psalms.
Hymns celebrating God’s law (Psalm 119).
Wisdom psalms (Psalms 1; 37), which reflect themes from the Wisdom Books (Job, Proverbs, Ecclesiastes, Song of Solomon).
Songs of confidence, which enable worshipers to deepen their trust in God amid difficult circumstances (Psalm 23).
Royal psalms, which present the Davidic monarchy as the vehicle of blessing for God’s people. Some of these are prayers (Psalm 20), some are thanksgivings (Psalm 21). All relate to the Messiah, the ultimate heir of David, either by setting a pattern (Psalms 20–21) or by portraying the king’s reign in such a way that only the Messiah can completely fulfill it (Psalms 2; 72), or by focusing on the future (Psalm 110).
Historical psalms, which take lessons from the history of God’s dealings with his people (Psalm 78).
Prophetic hymns, which echo the Prophets, calling people to covenant faithfulness (Psalm 81).
The standard Hebrew text divides the Psalms into five “books,” perhaps in imitation of the five books of the Pentateuch.
Book 1 | Psalms 1–41 | Psalms 1–2 provide an introduction to the Psalms as a whole. Except for Psalms 10 and 33, the remaining psalms of Book 1 are psalms of David. Most of them are prayers of distress. Others are statements of confidence in the God who alone can save (e.g., 9; 11; 16; 18), striking the note that concludes the book (40–41). Reflections on ethics and worship are found in Psalms 1; 14–15; 19; 24; and 26. |
Book 2 | Psalms 42–72 | Book 2 introduces the first group of psalms by the “sons of Korah” (42; 44–49; 50). There are also more psalms of David (51–65; 68–69), including most of the “historical” psalms (51–52; 54; 56–57; 59–60; 63). Once again, lament and distress dominate these prayers, which now also include a communal voice (e.g., 44; compare 67; 68). The lone psalm attributed to Solomon concludes Book 2 with a look at God’s ideal for Israel’s kings—ultimately pointing to Christ as the final great King of God’s people. |
Book 3 | Psalms 73–89 | The tone darkens further in Book 3. The opening Psalm 73 starkly questions the justice of God before seeing light in God’s presence. That light has almost escaped the psalmist in Psalm 88, the bleakest of all psalms. Book 2 ended with the high point of royal aspirations; Book 3 concludes in Psalm 89 with these expectations badly threatened. Sharp rays of hope occasionally pierce the darkness (e.g., 75; 85; 87). The brief third book contains most of the psalms of Asaph (73–83), as well as another set of Korah psalms (84–85; 87–88). |
Book 4 | Psalms 90–106 | Psalm 90 opens the fourth book of the psalms. It may be seen as the first response to the problems raised by Book 3. Psalm 90, attributed to Moses, reminds the worshiper that God was active on Israel’s behalf long before David. This theme is taken up in Psalms 103–106, which summarize God’s dealings with his people before any kings reigned. In between there is a group of psalms (93–100) characterized by the refrain “The LORD reigns.” This truth refutes the doubts of Psalm 89. |
Book 5 | Psalms 107–150 | The structure of Book 5 reflects the closing petition of Book 4 in 106:47. It declares that God does answer prayer (107) and concludes with five Hallelujah psalms (146–150). In between there are several psalms affirming the validity of the promises to David (110; 132; 144), two collections of Davidic psalms (108–110; 138–145); the longest psalm, celebrating the value of God’s law (119); and 15 psalms of ascent for use by pilgrims to Jerusalem (120–134). |
What was the main purpose of the Psalms for the people of God? The Psalms were the songbook of the people of God when they gathered for worship.
What is a psalm of lament? The main purpose of a psalm of lament is to tell the Lord about a difficult situation, to ask him for his help, and to praise him for helping. Some laments are community, congregational psalms. Others are individual, personal laments. One third of all the Psalms are psalms of lament.
What defined someone as an “enemy” of the people of Israel? The “enemies” mentioned in the Psalms (e.g., 18:17) were people hostile to the faith of God’s people. Sometimes they expressed their hatred by physically attacking the people of Israel, while other times they merely rejoiced when Israel faced misfortunes.
What does Selah mean? Although the word Selah is found 39 times in the book of Psalms, its exact meaning is uncertain. Most scholars believe it is a musical term or a term to be used by a worship leader, possibly to mark a pause.
Snares (38:12) were traps used to catch birds and animals. Some snares used ropes or nets that would be triggered as soon as the bait was touched. Pits disguised with sticks and leaves were also used as snares. In the Psalms, snares serve as symbols of danger or death at the hands of the wicked.
A helpful guide. The writers of the Psalms understood the importance of constant communication with God. They knew that God would hear their prayers, and they trusted him to act on their behalf. Believers today can benefit greatly by patterning their prayers after specific psalms.
Two-edged swords (149:6) were made of bronze or iron and were filed on each side, so that the blade could more readily and deeply penetrate enemy armor. In the NT, the word of God is said to be “sharper than any two-edged sword” (Heb. 4:12) because of the way it exposes the deepest “thoughts and intentions” of a person’s heart.
The standard Hebrew text divides the Psalms into five “books,” perhaps in imitation of the five books of the Pentateuch.
Book 1 | Psalms 1–41 | Psalms 1–2 provide an introduction to the Psalms as a whole. Except for Psalms 10 and 33, the remaining psalms of Book 1 are psalms of David. Most of them are prayers of distress. Others are statements of confidence in the God who alone can save (e.g., 9; 11; 16; 18), striking the note that concludes the book (40–41). Reflections on ethics and worship are found in Psalms 1; 14–15; 19; 24; and 26. |
Book 2 | Psalms 42–72 | Book 2 introduces the first group of psalms by the “sons of Korah” (42; 44–49; 50). There are also more psalms of David (51–65; 68–69), including most of the “historical” psalms (51–52; 54; 56–57; 59–60; 63). Once again, lament and distress dominate these prayers, which now also include a communal voice (e.g., 44; compare 67; 68). The lone psalm attributed to Solomon concludes Book 2 with a look at God’s ideal for Israel’s kings—ultimately pointing to Christ as the final great King of God’s people. |
Book 3 | Psalms 73–89 | The tone darkens further in Book 3. The opening Psalm 73 starkly questions the justice of God before seeing light in God’s presence. That light has almost escaped the psalmist in Psalm 88, the bleakest of all psalms. Book 2 ended with the high point of royal aspirations; Book 3 concludes in Psalm 89 with these expectations badly threatened. Sharp rays of hope occasionally pierce the darkness (e.g., 75; 85; 87). The brief third book contains most of the psalms of Asaph (73–83), as well as another set of Korah psalms (84–85; 87–88). |
Book 4 | Psalms 90–106 | Psalm 90 opens the fourth book of the psalms. It may be seen as the first response to the problems raised by Book 3. Psalm 90, attributed to Moses, reminds the worshiper that God was active on Israel’s behalf long before David. This theme is taken up in Psalms 103–106, which summarize God’s dealings with his people before any kings reigned. In between there is a group of psalms (93–100) characterized by the refrain “The LORD reigns.” This truth refutes the doubts of Psalm 89. |
Book 5 | Psalms 107–150 | The structure of Book 5 reflects the closing petition of Book 4 in 106:47. It declares that God does answer prayer (107) and concludes with five Hallelujah psalms (146–150). In between there are several psalms affirming the validity of the promises to David (110; 132; 144), two collections of Davidic psalms (108–110; 138–145); the longest psalm, celebrating the value of God’s law (119); and 15 psalms of ascent for use by pilgrims to Jerusalem (120–134). |
Romans 3 | OT Reference |
---|---|
Sinful Condition | |
v. 10, none is righteous | Ps. 14:3/53:3; Eccles. 7:20 |
v. 11a, no one understands | Ps. 14:2/53:2 |
v. 11b, no one seeks for God | Ps. 14:2/53:2 |
v. 12, all have turned aside; together they have become worthless; no one does good, not even one | Ps. 14:3/53:3 |
Sinful Speech (note progression from throat to tongue to lips) | |
v. 13a, b, their throat is an open grave; they use their tongues to deceive | Ps. 5:10, Septuagint (English, 5:9) |
v. 13c, the venom of asps is under their lips | Ps. 140:3 |
v. 14, their mouth is full of curses and bitterness | Ps. 10:7 |
Sinful Action | |
v. 15, their feet are swift to shed blood | Prov. 1:16/Isa. 59:7 |
v. 16, in their paths are ruin and misery | Isa. 59:7 |
v. 17, and the way of peace they have not known | Isa. 59:8 |
Summary Statement | |
v. 18, there is no fear of God before their eyes | Ps. 36:1 |
Ps. 149:1–4 The members of the worshiping congregation call one another to praise the LORD, and to sing to him a new song. The tone is one of jubilant gladness. God’s people call him their Maker and their King, and know that he takes pleasure in his people. This idea would be unbearably arrogant if the Lord himself had not declared it (147:11; see Ex. 19:5); the psalm also clarifies that the full benefit (salvation) comes to the humble.
Ps. 149:6 This verse is startling, with the high praises of God . . . in their throats and two-edged swords in their hands (an unexpected element in corporate worship!).
Two-edged swords (149:6) were made of bronze or iron and were filed on each side, so that the blade could more readily and deeply penetrate enemy armor. In the NT, the word of God is said to be “sharper than any two-edged sword” (Heb. 4:12) because of the way it exposes the deepest “thoughts and intentions” of a person’s heart.
Psalm Ps. 149. This psalm calls on God’s people to praise the Lord for their special privileges.
Ps. 149:7–9 The faithful will do God’s work of bringing vengeance on the nations (assuming that they refuse the invitation to “praise the name of the LORD,” 148:13).
My first time reading this penultimate (second-to-last) psalm, I was shocked by the shift in tone in the middle of verse six. The passage starts with singing, dancing, and rejoicing, but ends with swords, vengeance, and judgment! "Am I still reading the same psalm?" I thought. I had to remind myself, "Yes!"
It's easy to convince ourselves that the first half of this psalm is about celebrating the goodness of God, and the second half is an unrelated bit about God's wrath. But I don't think these halves are as disconnected as they might seem; I think the whole psalm is about God's goodness.
This juxtaposition reminded me of Star Wars. When I was a kid, Star Wars: Return of the Jedi was one of my favorite movies. The movie ends (spoiler alert!) with an astronomical celebration across the galaxy after evil has been defeated. The scene is filled with dancing, music, and camaraderie. However, the lead up to this was the destruction of evil via blasters, lightsabers, and starfighters.
This example helps remind me that God's offensive against evil is good. His goodness and wrath are not mutually exclusive ideas that should be separated, but rather they work together. We can celebrate that God will destroy what is evil!
A reminder before we get all up in arms (literally): God's wrath and vengeance are His and His alone. Romans 12:19 tells us, "Beloved, never avenge yourselves, but leave it to the wrath of God, for it is written, 'Vengeance is mine, I will repay, says the Lord.'"
With that, let us celebrate our good God who is coming to obliterate evil!
This month's memory verse
Each one must give as he has decided in his heart, not reluctantly or under compulsion, for God loves a cheerful giver.
1. What is an example of God's goodness that comes quickly to mind?
2. When reflecting on God's goodness, how are you compelled to respond?
3. Is it ever tempting to see God's wrath as a negative aspect of God? How can you change your framing of this?
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